Monday 17 November 2014

Review: Amanda Palmer's The Art of Asking: How I Learned to Stop Worrying and Let People Help


    The memoir of an indie rock star might seem like a strange choice of topic for a blog that has the words 'make-up- in the title but if you know anything about Amanda Palmer it might make a little more sense.

   She's been titled 'Queen of the Internet'; 'Queen of DIY' and probably some other less polite things over the years given her stance as outspoken feminist and artist extraordinaire. She champions the importance and immeasurable value of self-worth, community and creativity (makes a lot more sense now, right?). For these reasons and so many more 'The Art of Asking' is a book you need to read.



   The book is the result of Amanda's TED talk (which to date has over 8 million views) about the lessons she learned as a living statue working in Harvard Square, Boston. Amanda makes her point with eloquence and care, so I'm not going to do her a disservice in trying to explain too much (the talk is only 13 minutes long, you'll be glad you watched it). She explores the idea of trying to make people help you versus letting them help you and how she came to understand that the exchange of art and human connection for an amount of time or money or kindness was in fact a fair one.

The talk itself came about due to a Kickstarter campaign Amanda ran to finance the recording and release of her album 'Theatre is Evil'. The Kickstarter made just under $1.2 million (not to mention crowdfunding history) and lead to a flurry of praise, critique and discussion around the idea of artists asking their fans for support and in particular, money.

These are the issues she explores in the book along with a great deal of personal deliberation on universal struggles like wanting to be seen; feeling like a fraud; guilt about the success of your work and the deep, abiding fear of the vulnerability that comes along with needing help. There's also a ton of candid, moving vignettes from her life that really make reading the book feel like sitting down for a heart to heart with your best friend and simultaneously made me very jealous of people who actually get to do that with her in real life!

I don't have to tell you that I think pretty much everyone should give this one a read, especially us folks who long to take big leaps of faith, throw aside what's expected and go and do something that makes our hearts smile (again though, I think that's actually, secretly everybody).

Also Amanda and her husband Neil Gaiman make art together from time to time and are just so damn cute! (which is irrelevant to why you should read the book but makes me too happy anyway)


(courtesy of the guardian, so lovely)

Anyway! Have you read it? Are you planning to? What do you think about the idea of artists/anyone asking their supporters to enable them in continuing to do what they do? I'd love to hear from you!
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Wednesday 5 November 2014

Some Important Things

   So it's been about a year since my last post but there's good reason for that. I've been thinking about writing this for a while and I just want to warn you before we start  that this one's probably gonna be a long one and a sad one, not to mention entirely out of left field but here we go.

   This day last year I was sitting with my then boyfriend, Eoin, in his grandparents house. We were celebrating his 25th birthday though it came in the middle of a pretty stressful time. He'd sustained a rotary cuff injury the week previous due a tonic-clonic epileptic seizure and a few weeks prior to that had revealed to us that he was fighting a serious battle with depression. I remember every single moment of that day, from afternoon tea, to the hoodie he was wearing, to the jokes his grandfather made at dinner and of course, how sad he was, how completely, unutterably sad.

   Despite his total honesty about the situation I couldn't have guessed that just seven days later I would see him for the last time. In the early hours of the morning on November 12th, 2013, Eoin O'Brien took his own life.

   I debated with myself about writing anything about this, but I believe it's important, not just for me but for anyone who's ever lost someone to suicide, for everyone who's ever been uncertain if its okay to talk about it and most importantly for Eoin.

   There's this thing about depression and suicide in particular that terrifies people and understandably so. There is something uniquely awful about the idea that no matter how much you love someone, how much they love you, how many promises or plans you've made, sometimes it's just not enough. Over the past 51 weeks I've found that people don't like to believe the relationship could have been happy or functional, or that I truly believed we were standing at the beginning of a long and vibrant future. That's frightening, it makes it too real. Arguments and unhappiness are easier to swallow, the idea that suicide is something that happens to people who inhabit a different world to you is far more comfortable than the awful, brutal reality. When he first told me about his depression Eoin said that the first time he wanted to kill himself it was the thought of me, of what we shared, that stopped him, I was naive enough to believe that anchor would undoubtedly hold.

   From the beginning he was heartbreakingly honest with me. He told me how sometimes, when he felt as though he couldn't cope, the idea of death was a comfort, it made him feel like he still had some control over his own pain. He told me about what he'd eventually come to consider the perfect, foolproof plan and in the same breath told me how much he wanted to live. He told me too that he understood the impact his death would have, the devastation that would be wrought by the vacuum of his absence. He knew and he was so desperate not to do that to the people that he loved. I suppose what I'm saying is that the declaration of a suicidal person as selfish can be hopelessly short-sighted. Eoin knew the consequences of his actions, he knew the pain that would follow and still he did it. Above all else that shows me how much pain he had to be in, how completely unbearable his sorrow became. I think that's why I've never been able to be angry with him.

   Instead I got angry at all the people who wanted to help. Ireland suffers under a silent epidemic when it comes to suicide, particularly among young men. At the age of 23 I've been to more funerals of young people who died by suicide than I have of any others and accordingly I know very few families who haven't been touched by the suicide of a close relative or friend. Even Eoin had lost a dear friend to suicide at the age of 16. The good thing is that at last initiatives are in motion to help those suffering in silence and I think the majority of people are awake to the harsh realities and support needed by someone experiencing suicidal thoughts. Finally the veil of secrecy and shame is dissipating. These are all good, positive things but for the longest time every Pieta House poster or well meant Facebook  post I saw made me mad and even in the midst of it I knew it was entirely unfair. Every effort to bring mental health issues into public awareness is worthwhile and the rapid turnaround in public attitude and understanding of suicide is a wonderful thing but in some ways I can't escape a certain resentment that none of these efforts were enough to help Eoin and that also is entirely unfair. It's difficult not to feel pushed out of the crowd when something like this happens. I will never need a poster that talks about possible signs of suicide because I've witnessed them, I will never be comforted by advice for helping someone with their mental health because we all lived it and it wasn't enough. Maybe that's the most horrifying thing, you can try your best and it still might not be enough.

   The weekend before Eoin died was the first time in a couple of months that I hadn't worried about him constantly. He was on new medication that he felt was really starting to work, he treated himself to fine whiskey and cigars and we had a perfect date, dinner and a superhero movie, the receipt for which I still carry in my wallet. It's hard to remember how hopeful and happy he sounded. It's hard to remember that some of those last precious hours were devoted to a college assignment I had to do, time that I wish I'd spent just being with him. Perhaps the hardest thing is that on that last day I almost went to see him after college, I missed him already, but I didn't because more work loomed on the horizon and I was ignorantly certain that there would be more time. I don't like to think about whether it could have changed anything but that memory is burned into my memory and my heart forever. I would still do anything for a final five minutes with him.

   In a week it will have been one year exactly since I last heard his voice or saw his face at 7:30 on a Monday morning. Day by day we're all getting through, getting past each high or deep, deep low until we reach a place where it becomes bearable. He will be missed, always but we keep our fingers crossed.

   If you're somehow, miraculously, still here, thank you endlessly for taking the time to listen and help me pay tribute to the best person I have ever known. Hopefully you'll be seeing more of me.


 
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Sunday 29 September 2013

Fixing Broken Make Up

    Or indeed making dusty, messy beads of make up a little more usable! I've always been intrigued but a little bit intimidated by the idea of fixing broken make up with alcohol. It seemed a bit exciting but also a bit like black magic.

     However my Benefit Sugarbomb box o'powder broke a couple of weeks ago and my heart lurched... I'd never even hit pan! Eventually I got brave and just went for it, would you believe it's actually shockingly easy? I rapidly got braver and decided that my new found skills could also be used to make some nice but slightly difficult products a teensy bit more user friendly. Enter: Physician's Formula Mineral Wear Talc-Free Mineral Correcting Pebbles (mouthful). These are little pebbles of pink, green and yellow designed to work like a pressed powder and for the most part they do! However  some of mine were a little crushed around the edges from the start and just a little too messy to use for my liking, so I figured I'd make it into a pressed powder for real!

So you'll need:
- Any clear alcohol, medical or otherwise as long as its around 37-40%
- A spoon to crush your pebbles/chunks of powder
- Thin fabric cloth/ sturdy paper towel
- Something heavy to press you powder, preferably just smaller than the container.
- Your broken make up/ beads



So first I emptied the beads into a little bowl and crushed them down to the finest powder I could manage, started with a cuticle stick but graduated to a spoon when I realised it was gonna take a million years.Then i brushed down the inside of the container to collect any excess, you'd be surprised how much product gets left behind!


Then when its all fine you add in a a small amount of alcohol, a really small, teeny, tiny amount. You want just enough to make a pretty thick paste out of all the particles. Start small, you can always add more but if you do add to much its no big deal, you just need to wait for the booze to evaporate enough so you have your thick paste again.

Then scrape the paste into your container, smooth until the surface is a bit even ad then lay your cloth over the top. The compact I had was pretty big so I employed my surprisingly heavy Nuxe Reve De Miel Lip Balm to compress it. Pro Tip: press hard but not too hard if you're using something smaller than your container cause some of the product did end up gouged out the first few times I tried. Steady even pressure spread across the whole surface is what you're after. If you're using something like an eye shadow pot you'll be fine, coins, coins are the way forward here and you can just squeeze the bells out of the and you're good to go.


The finishes result: all you need to do is let it dry.



Mine took a few hours to dry but since then it's been perfect and much easier to use. I'd heard you can't fix mineral make up this way but so far I've had good results! I quite like the idea of mixing different powder products this way to make your own unique colours, have you ever played around with make up this way?

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Friday 16 August 2013

Friday Night Wisdom

    I couldn't agree with the girl who made that picture more. A couple of weeks ago I started working on a beauty counter for a pretty well known  make up company with a pretty aggressive sales technique. For various reasons, I no longer work there but this post has less to do with them and more to do with the beauty industry in general. Prepare yourself....this may get ranty!

    Working in a beauty hall and hearing dozens of different sales approaches every day, I've noticed that they all revolve around the same idea: making you feel bad about yourself.

    I get that that's kind of obvious and most places have the decency to at least be subtle about it but that doesn't make it less of a problem. The message pervades everything from the product slogans to the training information. In the training manual of the company I worked for, they had two pictures of the same woman side by side. In one she was bare faced with messy hair, in the other her hair was neatly scraped back and she was fully made up with a bright, red lip. The captions read 'Yuck!' and 'Wow!' respectively. I can't begin to explain all the things wrong with that.

    Make up for me has always been a creative thing, its about having fun and the freedom to be as many different people as I feel like on any given day. It's not the same for everyone, but the core value should stay the same, it should make you feel GOOD above all else, it should help you express who you are or who you want to be, it should bolster your confidence, empower and enhance you.

    But a lipstick isn't going to change your life and if loving yourself enough is something you struggle with, no amount of concealer or eye shadow or mascara is going to change that.

   You are so much more than the shape of your eyebrows, the size of your nose or a birthmark on your cheek! The things we use to torture ourselves are design features, unique selling points, not the 'imperfections' we're encouraged by the industry at large to conceal, paint over and distract from. Not that I don't think make up is a fantastic tool for getting rid of annoying blemishes or helping you to feel better and more in control of something that really knocks your confidence, but you get where I'm going with this.

    With or without make up;

Your worth does NOT begin and end with someone else's definition of what's beautiful! 

    It's about time companies stopped trading on making you feel like it does.

   Sorry about that, but I don't think it gets said nearly enough!

 
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Friday 26 July 2013

Nuxe Reve De Mieille: First Impressions

    I'm still in the midst of crazy business with a holiday in a couple of days and a new job (yay!) starting tomorrow. I haven't had a lot of time to play with my make up but one thing I did pick up was Nuxe's infamous Reve De Mieille lip balm.  I've heard it's a holy grail but I'd never seen it available here until last week. I found it for €11 (McCabe's Pharmacy in Dundrum if you've been looking) which is pricey for what it is but I was waiting for someone and found it unexpectedly so figured I might as well give it a go!
 
    The texture surprised me most. The balm is a honey yellow colour, which isn't a great surprise but it has a thick paste consistency rather than the more solid or gel like texture of other balms I've used. The smell is citrusy and downright edible which is nice, but I do find it a bit invasive when its actually on my lips.

    All else aside the balm does a great job of moisturising the lips and is especially good before bed seeing as it's so rich. I tried it today before applying a red lip and found the lipstick actually lasted longer over the not completely absorbed, still slightly sticky base of the lip balm!

   So far I'm not sure if this will ever be a complete holy grail for me (not like Blistex <3) but it does do a great job, especially if you have particularly dry or chapped lips. Well worth a shot if you're a serious lip balm person!

Have you ever tried anything from the Nuxe range?
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Tuesday 16 July 2013

Put To The Test: Maybelline Gel Liner

    I've had a pretty hectic week! It was a combination of birthday shenanigans (22 now!), socialising, cinema and an outdoor gig; all during one of the hottest weeks we've had in years!

    Ireland is a drizzly, temperate place at the best of times so nobody, NOBODY, was ready for temperatures that were nearly creeping into the 30's.

    On Sunday I went to see Mumford and Son in the phoenix park, big and outdoors, in sweltering heat. We had to walk what felt like endless miles (maybe 1? 1.5?) to get to the arena with little shade and next to no change in the landscape. It was like wandering a desert in hell, and I don't feel that's exaggerating. BUT the gig was amazeballs and it was bearably cool by the time they came on and my love for Marcus Mumford is getting out of hand, so it was all good in the end!

    I threw Maybelline's Eye Studio Lasting Drama Gel Eyeliner 24H in  10 Ultra Violet, or Eggplant in the states, on my lids as I ran out the door on Monday morning in the vain hope that it would stick around. And you know what? It actually did! 

    I'm not usually impressed by claims that make up lasts a whole day, for me at least, it's rarely true. So I was pretty impressed when I finally went to wash the dust and old beer ( Aside: why do people feel the need to throw beer in crowds anyway?) off my skin around 12:30 a.m and found my eyeliner still perfect, unsmudged and opaque, exactly where I left it. Mega kudos to Maybelline, you go!

As a nice perk it didn't take any nasty scrubbing or pulling to get it off my face either! Have you tried any supposedly long lasting products that took you by surprise?

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Thursday 4 July 2013

Smoky Blue FOTD

    I was in the mood for a smoky look for the first time in ages (I had a funny turn towards neutrals a couple of months ago) and so I decided to play around a bit with a few shadows that had been sorely neglected. I'm pretty happy with the result and found a way to get the best out of one of the most awkward shadows in my stash.

   On a side note my new found neutrality paid off in that I finally have a lipstick to wear with looks like this that isn't too over the top or intense for day time.




 
Face:
L'oreal Lumi Magique Pure Light Primer
Revlon Nearly Naked Foundation - 110 Ivory
Mac Sheertone blush - Pink Swoon
Make Up For Ever Sculpting Blush - Satin Indian Pink (I think?)
MAC Mineralize Skin Finish - Blonde
Benefit Brows A-Go-Go
Benefit Boi-ing Concealer - 01
Benefit Erase Paste - No.2 Medium
Benefit High Brow
Young Blood Mineral Rice Setting Powder - Medium

Eyes:
Mac Metal-X Cream Shadow - Cyber
Mac Velvet Eye Shadow - Beauty Marked
Barry M Dazzle Dust - 22
Too Faced Exotic Colour Intense Eye Shadow - Midnight Mist
L'oreal Super Liner Luminizer - Black Diamond/Brown Eyes
Urban Decay Vice Palette - Occupy
Urban Decay 24/7 Glide On Eye Pencil - Perversion
Jelly Pong Pong Fairy Lashes Mascara

Lips:
Bourjois Levre s Contour - 18 Framboise Exquise
Yves Saint Laurent - 13 Peche Passion

    Sadly the photos don't do justice to the incredible beauty of Midnight Mist, possibly the world's most awkward eye shadow but that's sunshine for you! 

    If you don't fancy the hefty price tag of Peche Passion ( actually a little birdie told me it's soon to be discontinued along with most of the original Rouge Volupte Line), Rimmel's Lasting Finish by Kate Lipstick in number 16 is a good dupe, though the formula lasts much longer and isn't nearly as glossy!

   On a side note  I've been pondering including where and how I used the products as an aside to the product lists in posts like this, what do you think?

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